Memento: The Philosophy of Fact 6
As I mentioned in the previous review , Memento has been one of my favorite films for decades. I have never really delved into the “deeper” aspects of the film. That is odd for me. Normally, I am profoundly drawn to such things. But, Memento is such a cool idea and is so fascinatingly told, hitting both mind and heart, I never chose to delve deeper. The film stands on its own, as is, without any further speculation. It works as a low-budget noir, as an acting showcase, as a feat of editing, as a story told backward that somehow never becomes obscure. It is surprisingly suspenseful at times. It works as ambiguity that feels like atmosphere instead of confusion. I loved it that way for years and I was right to. What follows does not make it a better film. It does not change the film's worth by a single frame. It only reveals some of the intricacies Nolan was playing with, which is why I’ve been his fanboy ever since. I have seen Memento more than two dozen times. This most recent ...